5/15/08
another boring day..
hahahaha... xde keje beb.. so rileks je kat ofis. sbb tu la aku post bende yg bukan2 hahahahahaha....
hxc dance??
Hardcore dancing grew out of the eastern United States hardcore scene, especially the New Jersey, New York, Boston, and Florida hardcore scenes. A hardcore pit differs from the usual mosh pit routine of pogoing and crashing into each other in an often controlled, but violent way. Participants in hardcore pits move around with rhythm to various beats, some slow and some faster. Hardcore dancing is typically associated and executed only during certain points in musical breakdowns.
This style of dancing was common in the late 1990s. As some hardcore bands incorporated slower syncopated, metal-influenced rhythms into their songs, the modern breakdown — and the dancing that went with it — was introduced.[citation needed] Early Earth Crisis and Biohazard concerts were common venues for this type of hardcore dancing.
New York hardcore band Sick of it All featured a tongue-in-cheek how-to guide for hardcore dancing in their music video for "Step Down" and AFI's video for "The Leaving Song Pt. II" is a depiction of hardcore and Straight Edge culture, popular for its relentless representation of Hardcore Dancing. A Day to Remember also did a video showing a how to guide for dance moves in the pit, Ron Jeremy was the fictional martial arts instructor showing the moves. Hatebreed's video for 'I Will Be Heard' also depicts hardcore dancing throughout.
2-Step
The 2-step is the dance move performed by hardcore dancers to a steady snare beat. It involves swinging or "stepping" your legs around each other in time to the snare drum. 2-Steps vary from scene to scene. while the idea remains the same, some variations include floorpunching, windmilling or kicking backwards.
Most hardcore dancers strive to produce their own unique 2-Step, often pushing the boundaries of balance. For example, one style is to punch your arms around your body in time with the swinging of each leg. Another is to bend down to either side and touch the floor while they dance, pushing the boundaries of the dancers balance. Various dancers mix 2-Step styles and use various types of foot motion. Most dancers generally cross their legs in a subsequent pattern or keep their legs in a identical position and do a shifting 2-step motion with their feet. Generally this dance is the main skill a hardcore dancer strives to develop, as it is the most used form of dancing for many of this scene.
Kicking/Flipping
Hardcore Dancers often do Martial Arts type moves. Jump kicks, back flips, and even some varieties of those. Hardcore dancers stage dive and also can be very violent if not controlled.
Windmill
The windmill is a dance move performed quickly swinging your arms in circles resembling the moving of a windmill. Often dancers alternate arms, keeping one at their side while swinging the other and then switching after each rotation. Variations include swinging with fists together, swinging backwards, and swinging with only one arm.
Many variations of this include imitating loss of balance and beating of chest. Also horizontal swinging of arms is very common to find during this move.
Dancers of this dance are often referred to derogatorily as " Windmillers." And are often looked down on and called "pousers," by members of the metal/hardcore community.
Penny picking/Picking up Change/Floorpunching
The Floorpunch is when the hardcore dancer throws his/her fists towards the floor, not intending to make contact with it, and then Penny picking violently brings them back up.Not many Hardcore Dancers do this anymore, it is a more oldschool technique. Alternative feet are sometimes stomped to the music as arms are raised, i.e. left arm raised right leg stomped. This is dangerous to people behind the dancer if the elbows are thrown hard enough.
There are many different variations of this technique again. It is a hardcore dancer's need to be unique that pushes them to push the boundary. For example, one technique is to keep both legs straight and together, double over, stretch out both arms and jump from side to side on both legs, in the imitation of a bird or an airplane.
Hate Moshing/Crowd Killing
Hate Moshing is when a dancer involves on-lookers in their moves. The most common of these is known as a "Lawnmower", which involves rushing into both sides of a Mosh Pit whilst windmilling or pulling your arms up from the ground. This is often used to create space before a Breakdown but sometimes is used before/after the song is played (a common way of opening up a pit is a less violent push-back, simply involving a dancer or dancers having their back to the crowd and pushing them back). Other Crowd Killing moves involve simply lunging into bystanders, throwing kicks backwards with the intention of making contact, etc. Though in some scenes this is far more violent and there are repeated roundhouse kicks and spinning elbows as well as randomly swung fists going into the crowd.
This style of dancing was common in the late 1990s. As some hardcore bands incorporated slower syncopated, metal-influenced rhythms into their songs, the modern breakdown — and the dancing that went with it — was introduced.[citation needed] Early Earth Crisis and Biohazard concerts were common venues for this type of hardcore dancing.
New York hardcore band Sick of it All featured a tongue-in-cheek how-to guide for hardcore dancing in their music video for "Step Down" and AFI's video for "The Leaving Song Pt. II" is a depiction of hardcore and Straight Edge culture, popular for its relentless representation of Hardcore Dancing. A Day to Remember also did a video showing a how to guide for dance moves in the pit, Ron Jeremy was the fictional martial arts instructor showing the moves. Hatebreed's video for 'I Will Be Heard' also depicts hardcore dancing throughout.
2-Step
The 2-step is the dance move performed by hardcore dancers to a steady snare beat. It involves swinging or "stepping" your legs around each other in time to the snare drum. 2-Steps vary from scene to scene. while the idea remains the same, some variations include floorpunching, windmilling or kicking backwards.
Most hardcore dancers strive to produce their own unique 2-Step, often pushing the boundaries of balance. For example, one style is to punch your arms around your body in time with the swinging of each leg. Another is to bend down to either side and touch the floor while they dance, pushing the boundaries of the dancers balance. Various dancers mix 2-Step styles and use various types of foot motion. Most dancers generally cross their legs in a subsequent pattern or keep their legs in a identical position and do a shifting 2-step motion with their feet. Generally this dance is the main skill a hardcore dancer strives to develop, as it is the most used form of dancing for many of this scene.
Kicking/Flipping
Hardcore Dancers often do Martial Arts type moves. Jump kicks, back flips, and even some varieties of those. Hardcore dancers stage dive and also can be very violent if not controlled.
Windmill
The windmill is a dance move performed quickly swinging your arms in circles resembling the moving of a windmill. Often dancers alternate arms, keeping one at their side while swinging the other and then switching after each rotation. Variations include swinging with fists together, swinging backwards, and swinging with only one arm.
Many variations of this include imitating loss of balance and beating of chest. Also horizontal swinging of arms is very common to find during this move.
Dancers of this dance are often referred to derogatorily as " Windmillers." And are often looked down on and called "pousers," by members of the metal/hardcore community.
Penny picking/Picking up Change/Floorpunching
The Floorpunch is when the hardcore dancer throws his/her fists towards the floor, not intending to make contact with it, and then Penny picking violently brings them back up.Not many Hardcore Dancers do this anymore, it is a more oldschool technique. Alternative feet are sometimes stomped to the music as arms are raised, i.e. left arm raised right leg stomped. This is dangerous to people behind the dancer if the elbows are thrown hard enough.
There are many different variations of this technique again. It is a hardcore dancer's need to be unique that pushes them to push the boundary. For example, one technique is to keep both legs straight and together, double over, stretch out both arms and jump from side to side on both legs, in the imitation of a bird or an airplane.
Hate Moshing/Crowd Killing
Hate Moshing is when a dancer involves on-lookers in their moves. The most common of these is known as a "Lawnmower", which involves rushing into both sides of a Mosh Pit whilst windmilling or pulling your arms up from the ground. This is often used to create space before a Breakdown but sometimes is used before/after the song is played (a common way of opening up a pit is a less violent push-back, simply involving a dancer or dancers having their back to the crowd and pushing them back). Other Crowd Killing moves involve simply lunging into bystanders, throwing kicks backwards with the intention of making contact, etc. Though in some scenes this is far more violent and there are repeated roundhouse kicks and spinning elbows as well as randomly swung fists going into the crowd.
hxc background
Hardcore punk is a subgenre of punk rock that originated in North America in the late 1970s. The new sound was generally thicker, heavier and faster than earlier punk rock. The songs are usually short, fast and loud, covering topics such as politics, personal freedom, violence, social alienation, Straight Edge, war, and the hardcore subculture itself.Hardcore spawned several fusion genres and subgenres, some of which had mainstream success, such as skate punk, melodic hardcore and metalcore.
In North America, the music genre that became known as hardcore punk originated in different areas in late 1970's and early 1981 in California, Washington, DC, Chicago, New York City, Winnipeg, Vancouver, Toronto and Boston. The origin of the term hardcore punk is not documented. The Vancouver-based band D.O.A. may have helped to popularize the term with the title of their 1981 album, Hardcore '81.[5][6][7] However, until about 1983, the term hardcore was used fairly sparingly, and mainly as a descriptive term. (i.e., a band would be called a "hardcore band" and a concert would be a "hardcore show"). American teenagers who were fans of hardcore punk simply considered themselves fans of punk – although they were not necessarily interested in the original punk rock sound of late 1970s (e.g., Television, the Ramones, the Sex Pistols, The Clash, The Heartbreakers). In many circles, hardcore was an in-group term, meaning 'music by people like us,' and it included a wide range of sounds, from hyper-speed hardcore to sludgy dirge-rock, and sometimes including arty experimental bands, such as The Stickmen and Flipper.
Since most bands had little access to any means of production, hardcore lauded a do-it-yourself (DIY) approach. In most cities the hardcore scene relied on inexpensively-made DIY recordings done on four-track recorders and sold at shows or by mail. Concerts were promoted by photocopied zines, community radio shows, and affixing posters to walls and telephone poles. Hardcore punk fans adopted a a dressed-down style of T-shirts, jeans, and crewcut style. While 1977-era punk had used DIY clothing as well, such as torn pants held together with safety pins, the "dressed down" style of 1980s hardcore scene contrasted with the more campy, elaborate and provocative fashion styles of late 1970s punk rockers such as Soo Catwoman, which featured make-up, elaborate hairdos and avant-garde clothing experiments.
At the same time, there was a parallel development in the UK of a British form of hardcore punk, which later became known as UK 82.UK 82 bands such as Discharge and Charged GBH took the existing late 1970s punk sound and added the incessant, heavy drumbeats and "wall of sound" distortion guitar sound of New Wave of British Heavy Metal (NWOBHM) bands such as Motörhead. While North American hardcore punk and UK 82 hardcore developed at the same time, it is not clear whether UK 82 was directly influenced by the American hardcore punk scene, or vice versa.
In North America, the music genre that became known as hardcore punk originated in different areas in late 1970's and early 1981 in California, Washington, DC, Chicago, New York City, Winnipeg, Vancouver, Toronto and Boston. The origin of the term hardcore punk is not documented. The Vancouver-based band D.O.A. may have helped to popularize the term with the title of their 1981 album, Hardcore '81.[5][6][7] However, until about 1983, the term hardcore was used fairly sparingly, and mainly as a descriptive term. (i.e., a band would be called a "hardcore band" and a concert would be a "hardcore show"). American teenagers who were fans of hardcore punk simply considered themselves fans of punk – although they were not necessarily interested in the original punk rock sound of late 1970s (e.g., Television, the Ramones, the Sex Pistols, The Clash, The Heartbreakers). In many circles, hardcore was an in-group term, meaning 'music by people like us,' and it included a wide range of sounds, from hyper-speed hardcore to sludgy dirge-rock, and sometimes including arty experimental bands, such as The Stickmen and Flipper.
Since most bands had little access to any means of production, hardcore lauded a do-it-yourself (DIY) approach. In most cities the hardcore scene relied on inexpensively-made DIY recordings done on four-track recorders and sold at shows or by mail. Concerts were promoted by photocopied zines, community radio shows, and affixing posters to walls and telephone poles. Hardcore punk fans adopted a a dressed-down style of T-shirts, jeans, and crewcut style. While 1977-era punk had used DIY clothing as well, such as torn pants held together with safety pins, the "dressed down" style of 1980s hardcore scene contrasted with the more campy, elaborate and provocative fashion styles of late 1970s punk rockers such as Soo Catwoman, which featured make-up, elaborate hairdos and avant-garde clothing experiments.
At the same time, there was a parallel development in the UK of a British form of hardcore punk, which later became known as UK 82.UK 82 bands such as Discharge and Charged GBH took the existing late 1970s punk sound and added the incessant, heavy drumbeats and "wall of sound" distortion guitar sound of New Wave of British Heavy Metal (NWOBHM) bands such as Motörhead. While North American hardcore punk and UK 82 hardcore developed at the same time, it is not clear whether UK 82 was directly influenced by the American hardcore punk scene, or vice versa.
pulmonary achery..
hmm... hari ni aku rase rindu sgt kat angel. x taula knp... apela yg die tgh buat? hmm, semestinye di kelas sambil beronline. watever pon , i miss you!!!!
5/14/08
hantu tol..
cilake nye kfc.. habis hari ni aku muntah2 n sakit perut.. aku melantak ape je. seketul ayam and beberape cheesy wedges yg lemak lag berkrim...huhuhuhu... aku rase aku dah xleh nk makan bende2 fastfood nih.. buat aku sakit jer... Fuck la kfc(tapi aku mkn jugak)
nasib baikla hari job boleh thn bnyk.. xla rase sakit perut sgt... job hari ni Ambank & Lee kum kee. rase nk balik awal la. nk landing..
nasib baikla hari job boleh thn bnyk.. xla rase sakit perut sgt... job hari ni Ambank & Lee kum kee. rase nk balik awal la. nk landing..
5/7/08
buhsan
warghhhh!! ngantuknye. xde keje beb.. sume ade aku xde.hahahahahah. goyang kaki je . selain tu bukak myspace n friendster. tak tau la nk buat ape lagi.. minggu ni la paling relaks... nasib baik kedudukan meja dah ubah. boleh la aku melakukan aktiti haram nih. nk chat sume org bizi. boring gle..
5/6/08
5/5/08
boring
boring beb hari ni. keje x banyak... so, aku tulis la blog ni.. tadi little angel sms aku. wah, rase bes gle. tapi aku x reply. ntahla, malas kot. rase something la...
hari ni ade designer baru join team kiteorg. so, makin bnykla designer kat cni. rase tercabar sikit la sebab aku x power sgt, hehehehe.... boleh la.. bnyk lag mase yg perlu aku amik utk belajar sesuatu yg baru dalam dunia advertising ni terutamanye graphic designing... pening gle dibuatnye..
boring gle hari ni. kerje xde sgt. so, apa lagi, surf internet jela... tapi bosan beb.. x tahu nk surf ape. nk chat sume org bizi... hmm, si angel plak hari ni emo sbb terkenangkan ex die. malas la nk kacau. kang x pasal2 aku plak yg jadi emo. hahahaha..
boring gle hari ni. kerje xde sgt. so, apa lagi, surf internet jela... tapi bosan beb.. x tahu nk surf ape. nk chat sume org bizi... hmm, si angel plak hari ni emo sbb terkenangkan ex die. malas la nk kacau. kang x pasal2 aku plak yg jadi emo. hahahaha..
mesin jiwa
hari2 mendatang ni membuatkan aku rase runsing. ntahla. aku pon x tahu ape sebabnye. mungkin 2 jiwa yg datang dlm hidup aku telah menyebabkan sume ni. rasenye , aku nk pergi ke tempat baru yg jauh. xde org kenal aku dan aku boleh hidup dgn tenang. hmmm, tapi aku seakan melarikan diri dari masalah ni.. ape yg aku nk sebenarnya?
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